That'd be $4K for just the software (and you'd still need a beast of a PC/MAC and the capture card. Recording 4 streams in h.264 was definitely not an option. (ProRes422 or HQ resulted in occasional dropouts). We were able to record 4x 1080i50 in ProResLT. We have used a maxed out 2015 macbook pro (4x 2.8Ghz i7, 16gig RAM). Keep in mind that you need a really fast mac to record 4 streams. It works, we have used it with a BM Decklink Quad in a Thunderbolt enclosure with ok results. ScopeBox (Mac) being the budget friendly one. Software: Several expensive options or hacky ones. I hope Blackmagic hears this and finally comes out with a multitrack recorder (Hyperdeck Quad anyone?) So far there are many unsatisfying options. I've been following developments for multi-track-recordings for a while (as we need this all the time). I'm just still learning about the BMD so I don't wanna say that Tricaster is better. I just really want to save the time I spend running to the cams,fetch the cards,run back to the control room,copy all the material to the server,than back to the set, format them all.so for we can start the next episode The cameras are not synced, we just use a clapper board instead. We are a production company making TV programs 2-3weeks prior to airing (it's done by the channel itself). We don't need anything fancy other than a 1920x1080 50i which we can use as a security copy of all the sources. Now I would like to do the same here with BMD. I did it in a manageable and space saving mp4 format with h264 codec. Previously I was using Tricaster 8000 with that I was able to record all sources separately.PGM, cameras, audio. Thank you all for the answers but I'm still lost a bit. SiennaTV also make a multi-input recorder but I don't think they have the EDL piece.Īt one time, it was possible to use ScopeBox to record multiple video sources simultaneously, but I've not attempted that recently. Softron also make a multi-input recorder as well as an EDL generator. Tools On Air make Just:In Multi along with Live:Cut which will create an EDL/XML file from your line cut and has native hooks to get the tally info from ATEM. The Odyssey unit is pretty good for recording ISOs at a good price point, but doesn't have integration to the ATEM to create an EDL. The workflow you're asking for is rather spendy. Wouldn't the SxS media come in as a "compressed" format making the practical storage of the rest of the ISOs a bit more workable as a just-in-case scenario? I'm guessing that you can't or aren't get/ting house TC to your cameras, or would rather not do a scratch track to sync the ISOs to the line cut.
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